Monday, September 04, 2017
video of my “hapkas” Christology as resistance and innovation talk online
Video from all the conference presentations of the “Resistance and Innovation: Empire and Native Christianity in the Pacific” conference hosted by Auckland University on March 24, 2017 are now online. The video of my 20 minute paper is here along with the introduction and the followup questions.
Native Christianity in Papua New Guinea: “hapkas” Christology as resistance and innovation in Drusilla Modjeska’s The Mountain
by Steve Taylor, Knox Centre for Ministry and Leadership; Flinders University
The interaction between Christianity and indigenous cultures can provide rich insights into cross-cultural exchange in liminal spaces. Equally the complexity of such insights can be masked by totalising narratives, including hagiography and Euro-centric imperialism.
One way to approach native Christianity in Papua New Guinea (PNG) is through Drusilla Modjeska’s The Mountain. It has been acclaimed as PNG’s best historical novel (Moore, 2012). The post-colonial methodologies of Colonial Contexts and Postcolonial Theologies: Storyweaving in the Asia-Pacific (Postcolonialism and Religions) (2014) will be used to read The Mountain for indigenous agency in resistance and innovation. Such a reading requires locating Modjeska as an academic and novelist who refuses to accept totalising binaries, in both her writing and her life.
I will argue that the portrayal of native Christianity in The Mountain assumes indigenous approval and indigenization. Themes of ancestor gift and “hapkas” will be applied to Jesus as “good man true, he die for PNG” (The Mountain 2012: 291). The creative reworking by which native (Omie) people locate Jesus as ancestor gift of Canaanite descent will be examined. This is consistent with recent scholarship in which indigenous cultures are Old Testaments (Charleston 1998; Brett 2003) and the book of Genesis a demonstration of indigenous faiths being woven respectfully into the story of Israel (Moberly 1992). This subverts the “big man” as a key trope in the ethnography of Melanesia (Strathern 2009). It suggests that post-colonial theology pay attention to cultural hybridity and indigenous innovation. Or in the words of The Mountain: a “hapkas” Jesus who is “good man true” for PNG.
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