Monday, March 18, 2024

unless a grain of wheat falls: Lent 5 DIY Dying to live seed sprouting prayer resource

It was fun to make up wheat seeds as a DIY practical prayer resource for Sunday (Lent 5B) worship! The Dying to live prayer resource was sparked by the words of Jesus in John 12:24 24 – “unless a grain of wheat falls into the earth and dies, it remains just a single grain, but if it dies it bears much fruit.” The verse got me researching wheat seeds.

DIY seeds sprouting

First, was realising that some wheat can be planted in autumn and other wheat in spring. So the verses from John 12:21 work equally well in Northern (spring) and Southern (autumn) hemispheres. So giving out wheat in the autumn/Lent in the Southern hemisphere was realistic.

Second, was realising how easy, fast and nourishing it is to spout wheat.

Third, was locating resealable plastic bags, to provide for ease of carry and address any hygenie concerns.

Fourth, was making up a handout with those easy sprouting instructions, along with a short prayer.

The result was a DIY practical prayer resource, given out during the children’s talk (when I played a youtube video of seeds sprouting). Then, the invitation during prayers for others to hold the seats as we prayed for seeds of justice to sprout in our world and seeds of Spirit to sprout in our community and in us. Finally, the invitation to prayer with seeds sprouting in the week coming.

Here’s the Lent 5B Dying to live seed sprouting handout I made up …

dying to live

Posted by steve at 08:49 AM | Comments (0)

Monday, October 16, 2023

Church as sail blown by the wind

Last weekend I spent several hours sitting with Te Rā, the last known Māori customary sail. Te Rā, housed for over 200 years at the British Musuem, is part of the “Navigating Home” exhibition at the Christchurch Art Gallery. I spent so long with Te Rā that an Art Gallery staff person came across to ask what I did for a day job.

Over the week, I found myself returning to the sail and making connections with Christian identity and being church. So on Sunday, I did a switch of the lectionary readings and preached about Te Rā, introducing the sail and making 3 connections to John 3:8.

  • Made to move – while many images of the church are static (temple, church buildings), a sail is made to move. Being on the move connects with Jesus invitation to follow (Matthew 4:19), to be blown by the wind of the Spirit (John 3:8) and cross to the other side (Mark 4:35)
  • Practically beautiful/beautifully practical – we tend to think of art as hanging beautifully in galleries. Yet Te Rā has practical purpose, yet offers aesthetic delight. Those born of the wind in John 3:8 are called to follow Jesus as the way, the truth and the life in John 14:6. The call to follow Jesus is not about being hung in art gallery for display, but for life Monday to Friday portraying the beauty of God’s Kingdom here on earth
  • One knot among many – the focus of John 3:8 is everyone born from above. Similarly, Te Rā is a collective of knots, each unique and each part of something bigger. The church together is invited to catch the wind of God’s Spirit

To end the sermon, I gave out sails cut from paper in a similar shape to Te Rā. People were invited to draw or use stickers to depict something unique about this local church as God’s sail. And a skewer to hold their sail aloft. The sails could be taken home or placed in the offering.  By way of example, a sail I drew and took home, plus an unused one.

paper sails

Key resources for this sermon were not just the Bible commentaries. For general information about Māori craft and weaving, I turned to Crafting Aotearoa: A Cultural History of Making in New Zealandand the Wider Moana Oceania and Te Puna Wairoa: The Distinguished Weavers of Te Kāhui Whiritoi.

general books on Māori craft

To understand Te Rā and think about Māori Christian connections with weaving, I drew on Te Rā: The Māori Sail by Ariana Tikao and Mat Tait (2023) and Ka Tuituia Tātoa e Te Aho Tapu/The Sacred Thread that Weaves us Together by Council for Anglican Women’s Studie (2018).

more general books on Māori craft

As people shared about their sails, the connections made with the identity of the church were deep, rich and meaningful.

Posted by steve at 03:59 PM

Saturday, February 18, 2023

lent resource

A spiritual takeaways resource I have put together for preaching at church on the Sunday before Lent.

lent resource

The resource emerged from reflecting on the language of beloved, well-pleased and listen that emerges from the Old and New Testament lectionary texts. To help ground these Biblical texts, I will offer 4 different ways that folk might explore ways to slow to listen and beloved. I drew the practices from Adele Calhoun, Spiritual Disciplines Handbook, which I find a great resource.

I will invite folk to randomly choose one. If it doesn’t connect, they can choose another. Hopefully, the takeaway invites folk into a Lent of love.

Posted by steve at 03:43 PM

Friday, April 15, 2022

Easter cross flowering as public witness

This Easter, I’ve been privileged to lead worship at Emmanuel, my local Presbyterian church. With Otago at a peak in terms of Omicron the decision was made not to gather for worship.

As a creative response, I moved the cross outdoors (left hand photo from Thursday). The “Home church Easter Friday” service I created included an outdoor benediction. Folk were invited to flower the cross outside the church at some point over the weekend.  As you can see from the Friday afternoon (right-hand side) photo, it’s allowed a delightful participation by the community.

The cross had some words attached, borrowed from a colleague, Rob Kilpatrick, who had done something similar during the covid lockdown in 2020.

There is a story
that the cross of Jesus
sprouted flowers and branches immediately after he died.
A reminder
that death is not the end.
Life springs from a seed ‘dying’
This cross is available
for anyone to flower
over Easter weekend.
To express our sadness for those who suffer pain and loss,
including in Ukraine and
invite us to hope
for new life.
Anyone is welcome to add a flower.

The outdoor flowering did a number of things.

  1. Public witness. Emmanuel has a large carpark on the main road through the village. A cross, with flowers being added, was a visible expression of Easter.
  2. It provided a chance for church folk to do something collectively, to express in a visible and communal way their devotion. For health reasons, folk could worship alone yet still have a way to worship together.
  3. The cross, wrapped in the colours of Ukraine, offered a way for folk to be in solidarity with Ukraine. (And practically, the blue and yellow ribbon also provided a way for flowers to be placed on the cross). I have deep concerns about Christian nationalism and the fusion of faith with national identity. Hence the words – “to express our sadness for those who suffer pain and loss, including in Ukraine” – which I hope focus on the horrors of war, rather than coopting God to the side of any one particular nation.
  4. As public worship, it was a chance for anyone from the community to also engage in devotion. Passers-by from the local community could add a flower and without having to attend worship.

There are risks. As I noted to the leadership of Emmanuel Church in testing the idea, it could get vandalised. A strong southerly wind could blow the flowers away. No one might put any flowers up. However the risks can be managed. The cross could be checked regularly including after strong winds. More flowers can be added if it’s a bit thin.

Importantly, the vulnerability is actually deeply congruent with the events of Easter Friday. A man is being exposed to violence and his disciples might not turn up to. So the risks resonate with the Easter story.

There is more to follow, with “Home church Easter Sunday” service going to invite another way to engage …. what this space …

Posted by steve at 06:09 PM

Thursday, April 14, 2022

The colours of easter

the colours of easter – a short 3-minute participatory all-age reflection I wrote for Easter Friday at my local Presbyterian Church – to listen click here.

Posted by steve at 10:09 PM

Sunday, June 20, 2021

raincoat prayers

The lectionary texts for Sunday included Mark 4:35-41 and Psalm 107:1-3; 23-32. Both texts introduce God as present and active in the storm. So in preparing for Sunday, folk were contacted during the week, asking them to bring a raincoat to church. This built a little bit of curiosity. During the sermon, I reflected on God as present during storms. I began with a story of when I was caught in a hailstorm, which enabled me to put on my raincoat, and so preach with my raincoat on. All helping to make the sermon more memorable.

As the sermon concluded, I invited a prayerful response, in relation to the raincoat that people had been invited to bring (while playing Tracey Chapman’s “I used to be a sailor,” from her Matters of the Heart album).

  • You could use the prayerful time to think about your own journey of following God. What does it mean for you to keep adventuring with God – to keep saying yes to the storms of life? As a way of saying yes you could put on the raincoat you were asked to bring.
  • Or you might use the raincoat to pray for someone you know who is going through a storm – perhaps a hard situation at work or a difficult relationship – that they would have the courage to keep finding the God of peace in the storm. Again, you could also put on the raincoat you were asked to bring, as a way of praying for them.

It was a tactile way to pray, first in the bringing into church of something from everyday life, second in the physical actions of putting on the raincoat, third in the memories that were created, which might well be recalled as the raincoat is used in the future.

Posted by steve at 01:47 PM

Friday, December 04, 2020

Healing amid crisis: an analysis of theologies of healing #APTO2020 paper

With the wonders of modern technology, I “flew” to Melbourne today, along with Dr Lynne Taylor, to “present” (online) at the Association of Practical Theology of Oceania virtual 2020 conference. It was made possible through video conferencing, with creative use of pre-recorded papers, watched by participants prior, followed by live discussion, open to all conference participants, of the papers.

Here is a brief introduction to our paper: Healing amid crisis: an analysis of theologies of healing in public prayer as local churches respond in gathered worship to tragedy and trauma

We are Steve Taylor, Principal, Knox Centre for Ministry and Leadership; Senior Lecturer, Flinders University and Lynne Taylor, Jack Somerville Lecturer Pastoral Theology, University of Otago.

Christians act. Christians act in prayer, witness and justice. Practical theology understands such actions as embodying lived theologies: theology lies behind and within them.

For John Swinton and Harriet Mowat (Practical Theology and Qualitative Research, (London: SCM, 2006), 5): Practical Theology is critical, theological reflection on the practices of the Church as they interact with the practices of the world, with a view to ensuring and enabling faithful participation in God’s redemptive practices in, to and for the world.

Working with this definition, we examined how churches prayed in gathered worship on the Sunday after the 2019 Christchurch mosque shootings. What were the practices of the church at that time? How did they faithfully participate in God’s redemptive practices?

Some 153 churches responded to our questionnaire. In this paper, we analyse this data with a focus on healing.

A feature of the way churches prayed was their use of the Psalms, particularly psalms of lament. There was also evidence of other responses that were psalm-like, even if they did not draw overtly on the Psalms. Following Ellen Davis (Getting Involved with God: Rediscovering the Old Testament, (Lanham, MD: Rowmand and Littlefield, 2001), we argue that this use of the Psalms and psalm like actions was a move towards healing. It was a first step which was a truth telling through an uncovering of the wounds.

Churches named (uncovered) multiple wounds. One was the wounds experienced by primary victims and their families. Another was a wound to Aotearoa’s self-perception as a nation. A third wound was that of a culpability, recognising the potential for evil in all of us.

In the data we saw a lived theology that named wounds as a first step in journeys of healing and was part of multiple commitments to remember, find compassion and express solidarity.

(For more on our research – see “Praying for Christchurch: First Impressions of how local churches responded in gathered worship to the mosque shooting,” Stimulus: the New Zealand Journal of Christian Thought and Practice, due out online (and free), later this month).

Posted by steve at 02:44 PM

Sunday, June 21, 2020

intercession prayers with John Holt on Windrush

I was asked by the Church of Scotland to offer some worship resources (on Weekly Worship) that might connect with Windrush day. My favourite bit was reworking John Holt’s, Stick by me from The Tide is High, Anthology 1962-79 (Trojan Records) and imagining God singing to Hagar and Ishmael.

Lullaby God,
We hear You soothe in the desert
Singing to a crying child – Ishmael, Isaac climbing Mt Moriah and the Exodus children facing the Red Sea
We hear Your comfort, Don’t be afraid, When you cry, I cry too
Stick by me, I’ll stick by you

Lamenting God,
We hear You sing in the wildernessHope for a grieving mother – Hagar, Hannah, Elizabeth
We hear Your peace,
Don’t be afraid, When you cry, I cry too
Stick by me, I’ll stick by you

Serenading God of the Blues,
who mourns in the wilderness
For all families torn apart by bitterness, envy and strife
When you cry, I cry too
Remember my heart and my love belong to you,
We hear Your heart, Don’t be afraid, No one can tear us apart
Stick by me, I’ll stick by you

Harmonizing God
For all churches facing a hospitality crisis
Help us hear Your melody, harmonize with Your desert lullaby,
May we open our arms To all those estranged in our community
You’ve got a place in our heart, oh yeah
Stick by us, as we stick by You Amen.

“Stick by me, I’ll stick by you
When you cry, I cry, too, oh oh Stick by me and I’ll stick by you
Remember my heart and my love belong to you, oh oh
Stick by me, I’ll stick by you.”

It was back in December when I did the work and it is interesting to sit with the work I did on Windrush Day now – 6 months later – in light of COVID and of BLM. I think part have aged really well – for example this paragraph I wrote:

“New Zealand biblical scholar, Judith McKinley … argues that the wilderness and ethnic dimensions of the [Genesis 21:8-21] text resonate strongly with our world today. Hence this text allows us to have sensitive conversations with people today who experience marginalisation, including through gender and ethnicity.”

Posted by steve at 11:24 AM

Monday, April 13, 2020

seeing faith: art and theology in Christ in the Wilderness

Christ in the Wilderness: Reflecting on the Paintings of Stanley Spencer by Stephen Cottrell has been a wonderful Lenten 2020 companion.

Art opens up the imagination. Cottrell reflects on the paintings of British painter, Stanley Spencer and in particular a Lenten series of paintings done by Spencer in the 1930’s. The book begins with a wonderful introduction to the spirituality and life of Spencer. Then there are 5 chapters engaging with 5 different paintings.

Cottrell is a brilliant communicator. The clever interweaving of stories from his life and experience, along with Biblical text, theology and the life of Stanley Spencer make for an accessible, yet at times profound engagement. Paying close attention to the imaginative work of an artist makes a space for stillness and reflection. At the same time, there is constant engagement with the life of Spencer, which adds layers of insight.

A picture a week made for a paced Lenten. Each picture is reproduced and in colour. The week began with a few days of my own contemplation on Spencer’s art. This was followed by reading slowly, a page or two, of Cottrell’s insights, as the week progressed. The result was fresh insights and a more contemplative Lent.

Posted by steve at 09:41 AM

Monday, October 14, 2019

highlighter worship

I had a go at introducing highlighter worship on Sunday morning. And it worked really well.

IMG_7818

The Psalm for the day, Psalm 65, was an invitation to gratitude, while the lectionary text was Luke 17:11-19, with the encouragement to take time to return and give thanks. I was preaching in a local church, a visitor, unaware of their patterns and lives. Given the Bible readings, how might I encourage them in gratitude?

So during the week prior, I asked to be sent the copies of the church newsletters for the previous month. This gave me four newsletters, each different, each a snapshot of life in this church community. I then blew the newsletters up to A3 size on the photocopier, to help with visibility, and create something distinct about this particular moment.

I wanted a way to keep the focus on the newsletter, on the artifacts of this church community and not introduce more sheets of paper. So I went looking for highlighters. The highlighters had to be yellow – the colour of cheery gratitude. The instructions were to work in pairs and read back over the newsletter, yellow cheery highlighter in hand, and mark things to be thankful for.

On Sunday morning, the A3 sheets were laid down the centre aisle – easy to get to, no walking required. People were invited to be thankful, by looking back over a recent newsletter and highlight things to be thankful for (there were some other options if that wasn’t going to be helpful). A song was played quietly in the background.

After about 5 minutes, I reminded folk that liturgy was the work of the people and here was a chance for us to work together, to create our local Psalm of thanksgiving. Folk were invited to call out what they had highlighted. I repeated it, for those hard of hearing, with the refrain “and God’s people said” – to which a shared “Amen” enabled call and response.

Much thankfulness resulted. The energy in the room went up as God was praised and the specific local shape of this community was described.

Highlighter worship! It requires old church newsletters and highlighters. And a thankful heart!

Posted by steve at 08:39 AM

Thursday, April 18, 2019

craftivist research: coding round 1

So I am coding.  As introduced earlier this week, I have 1100 individual tweets; 22 pages of data.  These have been printed on A3 sheets, leaving me with margins to scrawl notes as I go.

Unknown-12 Over 3 afternoons this week, when I need a break from writing on the First Expressions book project, I have laid out the highlighters – orange, yellow, green, pink.  I have added the pens – red and black – and a pencil.  Potentially 7 different categories. 

I have then simply read each tweet, word by word, looking for themes.  When I think there is a theme I write it down on a blank A3 sheet of paper. Then whenever I see that theme in the data, I use that colour highlighter.  For example, pink is warm comments – words like lovely.  I mindmap related words. Cute is similar to lovely, as is beautiful, so I add that to the related words and in pink I underline lovely/cute/beautiful whenever they appear.

This is a first read. I’m trying to get a feel for the data, to notice trends and seek patterns.  There will be themes that will need to be merged, or themes that will probably appear on a subsequent read. I realise that my data set is corrupted. the hashtag Xmasangel has pulled in other data. This is fine, I can cull the database before I read again.

As I go, I make notes of impressions. This will need to be verified, by numbers, by assembling quotes. But I am getting a feel for the data.

There will be a second read and perhaps a third round. I have the data as a master, so will photocopy off another A3 sheet and using the codes I already have, I will start again from the top and read through.

This is intuitive. I am wanting to be able to stand in front of a group of peers and be able to say – these are the main themes in this data – and here is the evidence to explain and support these main themes.

My initial impressions – in no particular order – are as follows,

  •  the overwhelming sense of joy and positivity generated by Christmas Angels. In the 1,100 tweets, there is only one that might be read as negative. The word “lovely” and “thanks” were dominant
  • the place-based nature of this community engagement. Invariably tweets named locations. These could be towns, streets, park benches, homes, train stations etc. There is a strong sense of connection with place being evoked by the angels. The angelic goodwill is not being heard in Bethlehem but in local communities and closes, streets and high streets shops, in contemporary England.
  • the layers of participation, both for senders and receivers. Senders source materials, make, tag, box, commission, deliver and tweet. Receivers find, carry, display, home and tweet. Indeed it could be argued that there is a making of angels as senders and a making of homes as receivers. Making is an essential part of this mission and in making, connections are deepened and meaning is being made.
  • the way the project built connections, particularly within households and between church and community.

These four themes are articulated in one tweet: “What a lovely idea. Daughter found this for me now taking pride of place on tree.”  There is the positivity of response (“lovely”), the place-based nature  (on tree), the layers of making (participation by the receiver of finding, homing, tweeting) and the building of connections (between daughter and parent).

I’m in a really happy place doing this. I love being curious about the world, in particular about mission and how fresh expressions of mission are received. I’m also curious about the domestic and gendered, the place of making in knowing, what is and is not communicated in craft and tactility.

And a reminder: of the craftivism Christmas angels research project (full outline here).

Background: I am interested in fresh expressions of Christian witness. One recent fresh expression I’ve become aware of is Christmas angels. It is a form of How to Be a Craftivist: The Art of Gentle Protest, in which angels are knitted and gifted among communities. I spoke on craftivism at the Transitional Cathedral last year as part of their Prophets in the Cathedral series. I am interested in how these angels are received (to read my conference abstract – Craftivism as a missiology of making – go here). It is one thing to ask people why they get involved in a fresh expression project like this. But how do those who find an angel make meaning?

To address this question presented some research challenges. I live in another country, it is not currently Christmas and I don’t want to look like a stalker, chasing people who find Christmas angels to ask for an interview. Helen Kara’s Creative Research Methods in the Social Sciences: A Practical Guide has been a great resource, encouraging me to think creatively about research.

Research method: To address this question, I am experimenting with analysing social media. Each angel was sent out with a hashtag #Xmasangels. This meant that people who received the angels could interact and in ways that are in the public domain. This provides a way to analyse recipent response – How people responded to the angels? What meanings did they make? With help from a colleague, I have extracted over 1,1000 #Xmasangel hashtag tweets. I am now conducting thematic analysis. This will be brought into dialogue with the literature, particularly a theology of making and the place of domesticity and craft in contemporary cultures.

Outcomes? Action-reflection on mission action, research-informed teaching (at KCML and as I am invited by churches to talk about fresh expressions of mission), presentation of data at academic conferences, writing for industry (Candour, Spanz) and an academic journal, possible engagement with Christmas angel organisors.

Posted by steve at 05:31 PM

Tuesday, April 02, 2019

Praying in crisis: an empirical study of how local churches respond in gathered worship to local and international tragedy and trauma

After the Christchurch mosque attacks, there were many, many ways that people responded. One of them was to research, as part of action-reflection capacity building. So (the remarkable) Lynne Taylor and I initiated the following.

tear on cheek

Email to Presbyterian and Baptist Churched — Research for an investigation on how churches responded to the Christchurch mosque terror attacks

The research explores how churches responded in their worship services to the recent mosque shootings in Christchurch. How do churches talk about tragic events? What do they do in response to such events in their worship services? For example, what and how do they pray? What resources do those leading the services draw on in deciding how to respond?

In doing so, the research explores best practice in this area of church pastoral ministry. It provides insight on church practice, as a resource for training of future leaders in theological reflection, congregational leading and worship leading and to assist with professional development of ministers and worship leaders.

All ministers and worship leaders are invited to participate. Depending on your responses, the questionnaire should take 5-10 minutes to complete.

It is a followup to work we did in November 2015 – Praying after Paris – which resulted in a presentation to Presbyterian ministers and another to chaplains at the Chaplaincy in Aotearoa New Zealand conference.

Using the same questions, but with new data from a differently tragic situation – will provide further action-reflection insights. Hence a joint paper proposal submitted last week for ANZATS 2019.

Praying in crisis: an empirical study of how local churches respond in gathered worship to local and international tragedy and trauma

Christian practices embody and reflect lived practical theologies. The gathered worship service is theory- and theology-laden, offering insight into Christian understandings of how God is engaged in human history and what human response could and should be. Investigating how Christians pray corporately is thus a potentially fruitful way to explore underlying theologies.

This paper draws on empirical research to investigate how local churches pray in response to trauma and tragedy.  Online surveys were conducted in November 2015 (following coordinated terrorist attacks in Paris, along with bombings in Beirut and Baghdad) and in March 2019 (following the shootings at the Christchurch mosques). In the midst of trauma, how had churches prayed? Pastoral leaders in two New Zealand denominations (Presbyterian Church of Aotearoa NZ and Baptist Churches of NZ) were invited via email to participate in both phases of the research. General invitations to participate were also posted on social media.

In this paper, we consider the resources used by local churches and the theologies evident in their worship responses.  The data will be read through the lens of Storm Swain’s understanding of God as earth-maker (holding); pain-bearer (suffering); and life-giver (transforming). How might these theologies interpret the data? Are different understandings of God present when events are local in contrast to events that are global?  What of human responses to trauma of earth-making/holding; pain-bearing/suffering; and life-giving/transforming? The implications for those who pray in trauma and tragedy will be considered, with particular attention to the theological work possible through the practices of Christian public prayer.

Posted by steve at 08:57 PM

Monday, April 01, 2019

Craftivism as a missiology of making

A conference proposal I have just submitted for the ANZATS 2019 conference in Auckland. It seeks to take forward the presentation I gave at the Transitional Cathedral last year (a summary of which was included in Cathedral Extra here).

craft-unsplash

Where #christmasangels tread: Craftivism as a missiology of making

Craft-ivism combines craft and activism. Craft-ivists utilise needlework, including yarn-bombing, cross-stitch and pink pussy hats, in collective acts of protest and solidarity (Knitting for Good!: A Guide to Creating Personal, Social, and Political Change Stitch by Stitch). This paper considers craft-ivism as a contemporary form of mission, with a focus on Christmas angels. In the UK in 2014, some 2,870 Christmas angels were knitted and left in public places, with a message of Christian love. By 2016, this had risen to 45,930.

Given that many Christmas angels included a twitter hashtag, technology can be utilised to access empirical data (Creative Research Methods in the Social Sciences: A Practical Guide) regarding the experiences of those who received this particular form of Christian witness. This paper will examine 1,100 “#christmasangel” tweets. Content analysis will provide insights regarding how recipients make sense of this fresh expression of Christian witness, while geographic mapping suggests that Christmas angels have taken flight all over Great Britain.

Christine Dutton argues that acts of making are spiritual practices that can be formative in the making of new forms of Christian community. This suggests that practices of craft-ivism can be read theologically. Hence, a Christology of making will be developed, reading Proverbs 22:2 “the Lord is the maker” in dialogue with David Kelsey’s theological anthropology (Eccentric Existence: A Theological Anthropology (2-Volume Set)). God is revealed as practicing delight (crafting), wonder (making) and perseverance (a discipline known to all crafters and makers). Hence, acts of craftivism are both a participation in the being and acting of God as maker and a spiritual means of connecting with the world. Missiology is invited to ‘make’ a domestic turn, by participating in practices of making.

(Photo by Michael Mroczek on Unsplash)

Posted by steve at 11:31 AM

Monday, January 14, 2019

maggi dawn in New Zealand

Arts and Cultures in Christian Ministry and Mission

Maggi Dawn – songwriter, theologian, worship curator – is in New Zealand to teach a 4 day intensive Tuesday, January 29 to Friday, February 1, 2019. Arts and Cultures in Christian Ministry and Mission looks amazing and I’d be their if I wasn’t teaching a KCML pre-intensive.  Maggi brings an wonderful set of skills.

  • gifted writer – 5 books including Like the Wideness of the Sea: Women, Bishops and the Church of England (2013), The Accidental Pilgrim: Modern Journeys on Ancient Pathways (2011), The Writing on the Wall: High Art, Popular Culture and the Bible (2010), Giving it Up: Daily Bible Readings from Ash Wednesday to Easter Day (2009), and Beginnings and Endings (and What Happens in Between): Daily Bible Readings from Advent to Epiphany (2007)
  • leads chapel daily at Yale University, as Dean of Marquand Chapel, working with students to provide daily worship to those from many denominations and different worship and faith experiences
  • a first career as a writer and performer in the music business. For example, I will wait (1993) (see here for a recording). Or Come Lord Jesus Come (here).

maggilarge

To help with grounding in Aotearoa and provide hospitality, Malcolm Gordon – Worship, Music and Arts Enabler for KCML will be present, offering input in the workshopping and design of events both gathered and public. Malcolm is a gifted singer and song writer, who has established the Illustrated Gospel Project and it could be that some of the art and creativity from the gospel of Luke is part of the intensive in an experiential way.

Input includes

  • Theology and the arts, language and literature
  • The naming of God in a post-blogging word
  • The arts in mission and ministry as gathered church experience
  • The arts and theology in public spaces, as worship meets missiology
  • The workshop and design of events both gathered and public

I’m particularly interested in the worship meets missiology in the design of arts and theology for public space.

The course is jointly offered by the Department of Theology and Religion, University of Otago, and the Knox Centre for Ministry and Leadership. It will be located at St John’s College, 202 St John’s Road, Meadowbank, Auckland, from 9-5 pm daily.

The intensive can be done for credit (as PAST 322 or MINS 414 through University of Otago, contact paul.trebilco@otago.ac.nz ) or audit (through Knox Centre for the Ministry and Leadership contact registrar@knoxcentre.ac.nz). It’s an exceptional opportunity, especially for those from mainline church settings, to reflect on creativity that is deeply theologically and humanly engaging.

(More information here) 2019 Intensive maggi dawn

Posted by steve at 01:58 PM