Wednesday, November 09, 2016
visual examen: colour in prayer
We finish each day of our internship intensives with a daily examen.
Examen – defined as a prayerful reflection on the events of the day in order to detect God’s presence and grow in understanding how God is present.
Mixed with a morning devotion and a lunchtime intercession, it provides a three-stranded pattern of prayer that weaves through our block course intensives. The danger is that examens become essentially word based – more words at the end of a day full of words in a classroom.
So today, in order to engage our eyes and our sense of touch, I offered a visual examen. I cut up red, green and yellow card into different shapes and grouped them on plates. I walked around the room, offering first red, then green, then yellow. As people chose a colour, I asked them questions to reflect on their day.
- Red – a strong emotion (how did you feel? who was there? what was said before and after? where was God)
- Green – a moment of growth (a learning? an insight? a challenge? a connection?). Give thanks to God for these gifts.
- Yellow – a joy (a moment in relationship? a joke from a colleague? Give thanks to God for these gifts.
I then read a Scripture – Philippians 3:8, 10. “More than that, I regard everything as loss because of the surpassing value of knowing Christ Jesus my Lord. For his sake I have suffered the loss of all things, and I regard them as rubbish, in order that I may gain Christ. I want to know Christ[a] and the power of his resurrection and the sharing of his sufferings by becoming like him in his death.” It was a reminder of the importance of surrender into the shape of Christ, an invitation to release.
I located one of the icons I have written during my time in Australia (here’s a video of me talking about icons as spiritual practise) and placed it flat, as a sort of plate. I then invited people to place their colours on the icon, as a way of releasing our day to God, returning the gift we’d been given and surrendering ourselves to being in Christ.
Wednesday, April 06, 2016
John 21 and Waiting for a voice, Dave Dobbyn
Those looking for some contemporary creativity around John 21:1-19, the lectionary text for this Sunday, will find helpful Dave Dobbyn’s latest album, Harmony House, released last week. I hope to provide an album review soon, but in the meantime, the opening single, Waiting for a Voice, is intriguing. Here are the lyrics (my transcription from the album playing on the car stereo this morning)
Verse 1 -
I look across a clear glass lake
Not a ripple on it, not a minnows’ wake
I saw a stranger on the opposite shore
Cooking up a meal for me
And what’s more, I heard Elijah
I know it was him
Get into the water man, and lose your sin
And Heaven is waiting for a choice
Waiting for a still clear voice (repeat)
Whether intended by Dobbyn or not, the references to the story of Jesus in John 21 are multiple. Beside the Sea of Galilee in verse 1 (I look across a clear glass lake), the disciples catching nothing in verse 3 (not a minnows’ wake), the presence of the risen Jesus, initially unrecognized in verse 4 (a stranger on the opposite shore), the charcoal fire in verse 9 (cooking up a meal for me).
The reference to Elijah is not named in John 21, but it is a way the disciples might have been making sense of this encounter. There is clear confusion between the Jesus unrecognized in verse 4 and verse 7 “It is the Lord.” A number of times in the Gospels, people wonder if Jesus is Elijah. This shows the power of the Old Testament imaginations that holds. It also shows how the human mind always works within known structures of meaning when trying to assimilate new experience. This has significant missiological implications of course. People move from their known to the new, so any communication needs to begin with the known. In so doing, it will always run the danger of being misinterpreted.
I love the baptism imagery (Get into the water man, and lose your sin). Again, it is not in the text. However it is a lovely imaginative working with the role of water, that is for baptism, and consistent with the actions of Peter in verse 7, as he jumps into the waters of Galilee in his rush to get to Jesus. The lyric makes total sense of the pathway to redemption, that we come to faith through the waters in which are sin is washed away.
The chorus is a catchy mix of crashing chords and ecstatic vocals, channelling the ecstatic sounds of a Nick Cave. The lyrics are distinctly evangelical. Heaven is waiting for a choice. Personally, I wince at the focus in the lyrics on human agency, at the danger of human pride in “my choosing to follow Jesus.” At the same time, there is a sense in John 21 of choice, particularly and repeatedly, in the three questions Jesus asks of Peter in verses 15, 16 and 17. Are we willing to trust ourselves to a stranger, who insists we make clear lifestyle changes (and lose your sin) in choosing to sit around a fire with Jesus?
So how would I use it? Probably I would mention some of the lyrics during the sermon, then play the song after the sermon, as a seque into communion. I would weave some of the lyrics into the communion prayers (thanking God for the saints, including Elijah; for the gift of creation, including lake shores and the waters of baptism, through which we find communion with God). I would ensure the prayers allow a time of silence in which I would invite us to listen for God’s “still clear voice.”
If I knew the community well, I might even invite them to share what they heard at the end of this listening. If I was doing this, my sermon would focus more on a lectio divina approach to Scripture, in which I create space for imaginative listening. Then I would play the song, mention the lyric – listen for God’s “still clear voice” – and invite that space for silence, for listening, and then for sharing.
Who knows what that still clear voice of the risen Lord, so strange to us, might say?
Wednesday, February 24, 2016
Could you return to your story? “hapkas” theology as personal experience
“Could you return to your story?”
It was a question asked as I finished a research presentation. I was interviewing to be Principal at KCML. The interview process began with me taking a 50 minute “mock” lecture to a group of “mock” students. It had gone well, apart from the jug of water for the lecturer, that developed a crack half way through, resulting in water gently easing under my laptop as I spoke. “As long as it is consistent for all those being interviewed” I quipped. The interview process then moved, after lunch with the interview panel, to a research presentation. Fifty minutes on some aspect of my current work, followed by 50 minutes of question and answer.
It was then that the question was posed. “Could you return to your story?” Puzzled, I asked for elaboration. “Well, you began your lecture this morning with your story, of growing up in PNG. So I’m asking what might happen if you returned in your research to your story?”
I remember being struck by the depth of listening. After nearly 3 hours of talking, here was someone with the ability to connect two quite different parts of my presentations, in ways that offered me new eyes. My story felt held. My experience felt important. Perhaps in this place, I would see myself, including my old self, in new ways. It was a moment, of care, of hope, and potentially of guidance in my research journey.
Fast forward some 13 months later. The interview in January 2015 resulted in my beginning as Principal in October 2015. I brought with me a significant piece of research, a book project on innovation and collaboration. Begun in July, it has absorbed all of my writing time in the period since.
Last week, the manuscript was sent to the editor. It will return, but in the meantime, I have some space to begin again. “What will you write?” asked my family on Sunday evening. (I have a habit of spending the first 45 minutes of every work day writing.) I sifted through a few possibilities. The next most important thing is two papers I have to present in Korea at the International Association of Mission Studies. The deadline for submission is 31 March. I chose one (the second is on how to understand Silence in mission), and got to writing.
I looked at my desk yesterday. I am writing on Christology in Papua New Guinea. My research involves reading art gallery publications about bark cloth. I laughed. “Could you return to your story?” was the question 13 months ago.
Well, my first new writing project in this role and I have. I have found myself, by a random set of circumstances, writing on my country of birth. I am listening to ABC recordings of PNG women singing. I am exploring theology expressed in visual, rather than written ways. I am bringing my years of study of Christology and post-colonial theology and literature to bear on my own story. I am reading Mark Brett’s Decolonizing God: The Bible in the Tides of Empire (Bible in the Modern World). He also is born in PNG. I am beginning to imagine an academic paper presented in Korea not on powerpoint but on bark cloth.
I sense freedom, grace and integration. Such are some of the benefits when we return to our story, when the personal is woven into the academic, when deep listening enables us to see and hear ourselves in new ways.
Thursday, February 18, 2016
Creative resource: Ira
Ira is a resource I picked up at Toitu Otago Settlers Musuem today. It is a set of small, handheld cards, about 2 cm by 6 cm. It is beautifully coloured on one side, with the same picture of a New Zealand landscape. On the other side, different for each card, is a Maori word and the English translation.
I thought it had potential as a creative spiritual resource. So I purchased it and brought it back to work.
Meeting my colleagues, I shuffled it, held it beautifully coloured side up and invited them to choose one. Each chose a card, turned it over, and read the word. Looking at them, it was obvious the word had personal significance, a helpful clarifying encouragement in the middle of a hot, tiring afternoon.
The word then became a benediction from me to them as they left at days end. “Enjoy being free.” “Go to be creative.”
I will use this as my Lenten discipline, choosing a word and prayerfully sitting with it.
It would also work well in group settings. You could turn one over and as an act of praise, invite the team to reflect on what that word looks like in the values of the team. Or share a story of how they have experienced that word. Or recall a Bible story that expresses the word.
It is a beautiful, indigenous, spirituality resource.
Thursday, December 03, 2015
Where do we get enough bread? Graduation sermon 2015
It was the Knox Centre for Ministry and Leadership 2015 Graduation Service last night. I was asked as the new Principal to preach. The lectionary text for the day was Matthew 15:29-39; the feeding of the 4,000. In the sermon I unpacked what the text might mean for being church and for ministry. I was able to weave in some creativity, including an art work by Faith Ringgold and setting up on stage a picnic, with different cultural groups bringing their mat and food, in order to explore the diversity of the Presbyterian Church in Aoteroa New Zealand. It gained positive feedback, so for those interested the sermon in full is as follows (more…)
Wednesday, May 20, 2015
Trinity worship, breath prayers and researching Lonergan
I led chapel today and had the sense that it worked brilliantly, offering a space that for many, provided a deep sense of connection with God. It connected with a range of senses, including seeing (contemplating the icon), touching (choosing a symbol of vocation), hearing (each others breathing), tasting (the communion elements). Let me explain.
After referencing Pentecost Sunday and inviting a call to worship, I introduced the icon, “Holy Theologian Bernard Lonergan in the Mystery of the Eternal Processions of the Most Blessed Trinity,” painted by Fr. William Hart McNichols.
I gave folk a few minutes in silence to consider it.
I then offered some explanation. I introduced a quote from Fred Crowe’s biography of Lonergan.
. . . in the welter of words that with other theologians it was his vocation to utter, Lonergan never lost [the insight] that theology can be done, must be done, that when it is done, we are confronted with mystery and bow our heads in adoration. Fred Crowe
I noted that I have been reading Bernard Lonergan as part of my missiology research in recent weeks. I described how research involves lots of reading and how as part of my research, I had discovered the icon. Which I have pinned to my desk. And how it then provided another dimension to my research, inviting prayer along with my reading.
I noted a few features of the icon. It references a painting by Lawren Harris, with Canadian landscape in the background. The light around the pine trees expresses a sense of God’s encounter with Lonergan’s vocation.
On the floor of the chapel I had placed books, pens, pads, name tag holders, white board markers, Bibles. I noted how in the icon, Lonergan was bent down in front of a book, a symbol of his vocation. I invited folk to pick up something from the floor that expressed their current vocation – as student, as lecturer, as administrator. Once collected, I invited folk to return to their seat and lay it down at their feet, much like Lonergan had. I then invited us, as Lonergan was, to look up, expectantly, attentively.
Suddenly each of us were engaging with the icon not just as something visual that we were looking at, but as something we were physically participating with. Our bodies were becoming more deeply connected.
I noted how in the icon, the Spirit spoke as Lonergan looked up. So what one word might the Spirit be wanting to speak to us, as we looked up from our vocations? Which meant that we all as a group had now moved into a time of lectio divina. We had move from sermon to prayer, from explanation to worship.
I maintained this space by introducing a series of breath prayers. We breathed in strength, freedom, hope and love; and breathed out exhaustion, self-doubt, distrust and hate. That sense of looking up, expectantly, attentively, was maintained through the in and out of our breathing. There was by now a palpable sense of God in the air as together, looking up from our individual and diverse vocations, we continued to connect with God.
A seque into communion then occurred, by inviting folk to place their symbol on the communion table. Our vocations were recentered by bread and wine. We continued to breath together as we encountered grace in the sacraments.
There were many people expressing thanks at the end, for the richness and depth, for the dignity given to the practice of theology, for the space to breathe in God. In just over 20 minutes, we had worshipped, prayed, participated in the sacraments, in a way that connected our ordinary and everyday vocations with Divine presence.
Wednesday, March 04, 2015
lectio decorio (reading the skin)
A creationary: a space to be creative with the lectionary. For more resources go here.
Lectio divina (divine reading) is a practice by which Scripture is read slowly, seeking for God’s voice. Today I invited the community at worship at Uniting College to enter into lectio decorio (reading the skin). (Decorio is latin for skin).
The spark was the lectionary text – John 2:13-22, when Jesus cleanses the temple. Searching google, I found the work of Amanda Galloway. As a way to connect with women in India, a system of Biblical story telling has been developed. It uses the traditional henna process to symbolize biblical stories (I’ve blogged about henna and Biblical storytelling before). Henna, a temporary artwork drawn on hands and other parts of the body, is a popular beauty technique in parts of Asia, Africa and the Middle East. As the story is told, the images are drawn onto the hand and arm.
I didn’t have the time (chapel is 20 minutes, including communion), nor the materials (henna), to literally use henna. But I loved the way the Amanda Galloway’s design told the story, and told it onto skin. It seeemed to also connect with the Biblical text, which was all about whips and overturned tables and thus a story about skin in the game of justice.
So, after reading the lectionary text, I introduced the design. I noted how it is used. I then invited folk to trace the design onto their skin. Not with henna, but by using their finger, while I read the text (slowly enough to give time for the tracing).
And so skin touched skin, as the Bible story was heard and traced (decorio).
I then repeated the process, inviting folk to trace to design on their other hand. Given that folk most likely initially chose their dominant hand, it felt deeply gospel to trace the design again, this time using a weaker finger. This also created links between the two contexts – us in the first week of the semester, with all the new learning that a semester involves, women in India, unable to read, but still opening themselves to learning.
I then moved into the six minute communion. And suddenly the passing of the peace had new meaning. It was another moment of lectio decorio, reading the skin, as the gospel story traced on my hand touched the gospel story traced on the hand on another.
I’m still to unpack with those gathered what the experience meant for them.
But for me, the invitation three times to hear a Gospel story, the deeper sense of connection as that gospel was traced on my skin, the sharing of a practice from another cultural context as an expression of solidarity in learning – felt very embodied.
So there we are, lectio decorio (reading the skin).
Sunday, August 17, 2014
bowing to a buddhist monk: a meditation on the Syro-phonecian woman
Here is the sermon I preached this morning at Blackwood Churches of Christ. The lectionary text was Matthew 15:22-28, the story of Jesus encounter with the Syro-phonecian woman. The reading helped me explore a set of circumstances a few weeks ago, in which I found myself bowing to a Buddhist monk. In other words, how do we encounter people of different beliefs and opinions?
Monday, June 16, 2014
Trinity art at Tarlee
On Sunday, I led worship and preached at Tarlee Uniting. It was Trinity Sunday and I offered a number of multi-sensory ways to engage the Trinity – a tasting experience, a body prayer, a visual engagement with two art images, the making of friendship bracelets as a benediction. I was a bit unsure how, being new to a church, such input would go. I was also unsure how it would play in a rural community.
Despite my anxiety, people engaged really, really well. There was lots of interaction. What was even more intriguing was that within a few minutes of the service finishing, the visual images were being displayed on the outdoor noticeboard.
The full service was as follows –
Trinity Sunday 2014
Enter – Taste the trio – hand out cracker, cheese and gherkins at door instead of hymnbooks
Welcome – 2 Cor 13: 14 The amazing grace of the Master, Jesus Christ, the extravagant love of God, the intimate friendship of the Holy Spirit, be with all of you.
Introduction to theme – Why food? Trinity Sunday. Three in one.
Praise – use songs. Use our bodies
God is beyond anything we can imagine (traditionally the symbol of God the Father)
God is with us (and many believe became one of us- the “Son”)
God is within us (The Spirit)
and amongst us (The Spirit)
Children’s talk – introduce Rublev’s Icon, as a way of understanding God for culture that cannnot read, as a picture to be explained.
Readings: 2 Corinthians 13:11-end; Matthew 28:16-20
Reflection – Malcolm Gordon, Sweetest mystery
O God, even as we celebrate your unity, we know that sometimes
we break that unity, in our own lives, in our families, in our communities, with your earth
Sermon – introduce a second art piece, then return to name the children’s talk picture as Rublevs Icon, and set the context as a act of public and practical theology.
Offering and Intercession: Pick up on the two lectionary texts. 2 Corinthians 13:11-end and so to pray for church and people we know; Matthew 28:16-20 and so to pray for God’s mission in the world.
Final song: I bind unto myself – St Patrick, Eucharist CD – while making friendship bracelet. Including option of weaving in a bead (My partner had find beads with letters of the alphabet, and people were invited to choose a bead with a name of person that want woven into the Trinity of love.
Benediction: Return to opening greeting, 2 Corinthians 13:11-end
Wednesday, May 28, 2014
ascension day worship: creationary
Call to worship – Meet me in the middle of the air, Paul Kelly
A divine invitation, through the words of Paul Kelly, to make this a time to come, meet with God.
Welcome to country and praise.
And so we appreciate this place as a meeting place. In silence, we respect to those who’ve met here before us – other students and staff. In silence we respect other denominations who’ve met in this place. In silence, we respect to traditional owners of this land; their elders.
Link: The Paul Kelly song has echoes of Psalm 23. It also has echoes of Ascension Day. 40 days after Easter; 10 days before Pentecost. Church celebrates Ascension Day. It’s major feast in the church. When Jesus goes to meet God. Let’s hear the Story.
Scripture – Acts 1:1-11
Affirmation of faith: verbal – In response to the reading, a verbal affirmation of faith
Say Apostles Creed
Affirmation of faith: visual – In response, to the reading, a visual affirmation of faith
Lansdowne ‘The Shaftesbury Psalter’; 2nd quarter of the 12th century
Two spheres, blue and red. Two angels, lifting up feet of Jesus toward the Divine. The disciples gathered.
It’s a very literal interpretation. I love the angel robed in green, the literalness of gravity at work, the robe hanging down. Part of me struggles with literalism. I’m a White Westerner. I don’t live with a view of the world of 1st century world.
Yet part of me also finds the literalism strangely compelling. It affirms importance of bodies. The Ascension of Jesus means that the human body joins God. No human body of Jesus folding up like a sack of skin on the ground.
Instead we have the nail scarred hands been taken to heaven. Spear wound. Calloused feet from walking all over Judea. Hands that touched a leper. The nose that smelt dead Lazarus emerging. The mouth that enjoyed the best of wine at the wedding of Cana.
This human body joins God. Not cast aside as B-grade. The body is as important as spirit. Our armpits and noses, sweat glands, feelings, tiredness – all caught up, in Jesus, with God. Embraced in the Trinity. The celebration of human bodies is complete.
Personally, I find that literalism, that valuing of real bodies more and more compelling.
It also helps me appreciate much more the body left behind. Eugene Rogers, theologian, (in his book After the Spirit: A Constructive Pneumatology from Resources Outside the West) notes how you have to read Ascension Day with Pentecost.
At Ascension God goes up, the body of Christ leaves. Pentecost, God comes down in the Spirit, the body begins, the church as the body of Christ. A second valuing of the body. Our body. Us as the church. Our armpits and noses, sweat glands, feelings, tiredness – embraced in the Trinity. The celebration of human body the church is complete.
This is a feature for Uniting Church as we come to communion. As a Uniting Church, we believe that the Spirit does not inhabit the elements. Nor does it inhabit the holy hands. Rather the Spirit inhabits the gathered community.
We are the body of Christ. We need to let go, Don’t touch, in order to truly be.
Leader: We confess, our lack of care for our bodies, our lack of care for the body of Christ, the church, We confess
All: we have wandered, bring us home
Absolution: Grace, peace and purpose be upon you
Peace: Greet your neighbours with the sign of peace
Leader: Let us pray Lift up your hearts, give thanks and sing
ALL: Hosanna, Hosanna
Leader: Father thanks for making us thanks for taking us, thanks for showing us the way And thankyou especially for you Son Jesus Christ who said, take, eat this is my body, which is given for you
And take, drink, this is my blood shed for you for many, for the forgiveness of sins. Spirit, bless it, bless us, your body; Bless all creation
All: As it was, as it is, as it will be
By human God, through abundant God, to the glory of Almighty God
We believe this to be the body and blood of Christ, Not to be taken lightly Let anyone who feels called is welcome to this table These are the gifts of God, for the people of God.
Say together The Lord’s prayer
Thankyou Lord, for being with us
Benediction: As you go, may the Ascended Christ meet you
Wednesday, May 07, 2014
laying the table: creationary Psalm 23 and John 10
I had a few minutes today, in which to put together some worship for College chapel (20 minute chapels that take place weekly on Tuesdays and Wednesdays). I wish I could have given it more time, but a run of unexpected commitments ate into my planned preparation time.
The lectionary texts for this week include Psalm 23 and John 10. The theme that seemed to emerge was “laying the table.” It links “You prepare a table before me” with “I came that they may have life, and have it abundantly” and communion. It also connected with my experience during the week. Last night I brought home a bunch of sun flowers for the family. They sat on the kitchen table overnight and just seemed to light up the room. So “laying the table” began to be a theme by which to frame the service.
So I began by telling my story and then inviting folk to lay a flower on the table and name something in which they were finding beauty and life. We ended up with a table spread with flowers. It was lovely, a physical call to worship and expression of praise, our praise, unique to today.
I then noted that the Christian tradition gives us more to “lay on the table.” I laid the Bible on the table, then asked folk to pass it around, reading a verse each from Psalm 23.
I then noted that the Christian tradition gives us more to “lay on the table.” This time, baptism for cleansing. A short prayer and then I sprinkled water from the font over those gathered, over the table, over the entrance way, and used some sentences from John 10 as the Words of absolution.
I then noted that the Christian tradition gives us yet more to “lay on the table.” I placed on the table bread and wine. By now the table was very richly symbolic – praise, Scripture, confession and absolution in baptism, communion – all laid by us as a community in ways both personal yet connective with the Christian tradition. Indeed, a table prepared before us, one in which we find life, and have it abundantly.
Which led naturally into intercession, praying for places that lack abundance.
Below is the worship order with some more exact wording: (more…)
Monday, April 14, 2014
colouring Holy Week
This week I’m colouring Holy Week. I’ve found a bit of board in the garage, which I’ve cut and prepared with a gesso wash.
And then I painted blocks of colour, adding layers to deepen intensity.
Then I applied gold leaf, in celebration of resurrection life.
These colours are not necessarily traditional church colours. But they help me, and perhaps others with visual learning preferences, step through the events of this week. I’m doing this for myself. I’m also doing this to help me prepare for Easter Camp in Robe, at which I’m speaking to young people from the rural South East of South Australia.
The colours of Holy Week make sense for me as follows:
Green on Palm Sunday, to remember those who waved palms and celebrated Jesus entering a city. Red on Monday, because on Monday (in Mark’s gospel), Jesus got angry, red-faced, and trashed the money changers in the temple. Brown on Tuesday, to recall Jesus words that unless a seed falls into the ground and dies, it can not produce many seeds. Lavender on Wednesday, to remember perfume, and the extravagant, expensive love of an unnamed woman, who poured what was possibly her family hierloom onto Jesus head. Blue on Thursday, to express the feelings of Jesus in the Garden of Gethsemane, a soul deeply distressed, troubled, overwhelmed. Black on Friday, for on this day God died. Grey on Saturday, for on this day all of creation mourned. Gold leaf, etched with rainbow colours on the Sunday, for on this day life to the full in the here and now was re-defined.
As a result, on Monday, I have cut two pathways of response into my board, for on Monday, the events of this week leave us with some choices. How then will we live, in light of the events of this week.
Tuesday, February 11, 2014
a spirituality for a pilgrim people
I’m teaching Church, Ministry, Sacraments over these 2 weeks. This morning the lectionary Psalm was Psalm 84. It got me thinking ….
You are a pilgrim people, always on the way towards a promised goal (Basis of Union, rifting off Hebrews 11). “Who go through the barren valley find there a spring” (Psalm 84:5)
You can’t make it, nor create it.
You can try to hurry to it. But that leaves you exhausted, the proverbial hare, gasping, while the tortoise plods on by.
Best simply to wait for it. And when you see it, spread invitingly around the next corner, simply receive it.
If deep, jump in. Splash. Laugh. Dunk a fellow swimmer. Get out shaking your head like a playful dog. Then lay your clothes on a sunny rock. Lie back. Enjoy the birdsong. Reflect on steps taken, share a story with a travelling companion, compare blisters, prepare for the next part.
If shallow, drink deep. Splash iced cold water over your face. Wet your hair and let it trickle down your neck. Laugh. Splash a fellow drinker. Then lie back. Enjoy the birdsong. Reflect on steps taken, share a story with a travelling companion, compare blisters, prepare for the next part
Some find these pools of water on a heated day on a night with friends over red wine. Others find it on a weekend bush walk. Yet another find it as one wanders through an art gallery or turns the page on an ancient theology book. Wherever you find it, you leave the richer, nod the wiser, knowing more deeply that on the way Christ feeds.
With Word and Sacraments
The trouble is, whether deep or shallow, poorly done or richly resonant, you know you can’t stay. A pool on a heated day is only a pausing place for a pilgrim people.
It’s dangerous. No stupid – to remain in the barren valley. It’s not the point, nor the purpose.
For you are a pilgrim people
Monday, February 03, 2014
At the National Fresh expressions and mission-shaped ministry 2014 conference, I was asked to contribute not just some explanation of history, but also be part of leading in a final act. I’ve been aware more and more recently of the importance of our bodies (and the way they are so rarely used in worship). So here’s what I did.
In your right hand, gather your dreams, what is arising in hope from within you. Take some time to hold these dreams before God.
Now, since we are the body of Christ, I invite you to connect your right hand, the dreams you are holding, with the hand of another. Now take some time to pray, silently, for the dream you are touching.
In your left hand, gather your to-do list, all the things that might lie neglected as a result of these last few days. Take some time to hold your to do list before God.
Now, since we are the body of Christ, I invite you to connect your left hand, the to do list you are holding, with the hand of another. Now take some time to pray, silently, for the to do list you are touching.
Now put your hands in your pockets. You are taking your dreams and your to do list with you. I invite you to turn and face the door.
Now hear the benediction, some words from the lectionary text for this Sunday … (and so I offered them some words from Luke 2:29-32; servants be dismissed in peace, go to see salvation, go to be a light for Gentiles, for the glory of God)
A good deal of positive feedback after, as people collected their stuff and began to take their bodies into God’s world.