Saturday, May 08, 2010
Ascension day and emerging worship with Paul Kelly
I spent some time in preparation for leading (Wednesday chapel) worship, playing with Ascension Day, which the church affirms, as it says in the Apostles Creed:
I believe in Jesus Christ, his only Son, our Lord …
He ascended into heaven
and is seated at the right hand of the Father.
Tall skinny kiwi engages with Jeremy Begbie concerned that the emerging church doesn’t engage with Ascension Day. Well, Jeremy obviously doesn’t read this emergent/ing blog, like back in 2007 when I noted what Ascension day means for Christian faith. (Get with the internet Jeremy) and when I noted the following points about Ascension Day.
- God in Jesus is present through all time and space.
- A human body now live with God.
- Faith without sight is now the normal way to follow Jesus.
- God’s people are the primary hermeneneutic of the Gospel.
Anyhow, back to my emerging worship, with me making random connections, humming the Paul Kelly song, “Meet me in the middle of the air”, which was played in my recent Sociology for Ministry class. (Here’s a cover, the actual song I was thinking about was Paul at the bushfire concert.
In the midst of all that bushfire pain, Paul sings acapella a song that seems to claim outrageous hope in the world beyond. Was it inappropriate? Pietistic? Or is there more going on in the music and life of Paul Kelly, that lets him slap a form of eschatalogical, Ascension-like hope on the bushfire table?
Is this why Ascension Day is important for the church – in Creed, worship and theology – because it keeps alive a note of outrageous hope? If so, when, how, in the midst of a broken world, to name it? Not sure if such thoughts will be woven into Wednesday worship, but writing them helps me process them.
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