sustain:if:able kiwi

Church as sail blown by the wind

Last weekend I spent several hours sitting with Te Rā, the last known Māori customary sail. Te Rā, housed for over 200 years at the British Musuem, is part of the “Navigating Home” exhibition at the Christchurch Art Gallery. I spent so long with Te Rā that an Art Gallery staff person came across to ask what I did for a day job.

Over the week, I found myself returning to the sail and making connections with Christian identity and being church. So on Sunday, I did a switch of the lectionary readings and preached about Te Rā, introducing the sail and making 3 connections to John 3:8.

• Made to move – while many images of the church are static (temple, church buildings), a sail is made to move. Being on the move connects with Jesus invitation to follow (Matthew 4:19), to be blown by the wind of the Spirit (John 3:8) and cross to the other side (Mark 4:35)
• Practically beautiful/beautifully practical – we tend to think of art as hanging beautifully in galleries. Yet Te Rā has practical purpose, yet offers aesthetic delight. Those born of the wind in John 3:8 are called to follow Jesus as the way, the truth and the life in John 14:6. The call to follow Jesus is not about being hung in art gallery for display, but for life Monday to Friday portraying the beauty of God’s Kingdom here on earth
• One knot among many – the focus of John 3:8 is everyone born from above. Similarly, Te Rā is a collective of knots, each unique and each part of something bigger. The church together is invited to catch the wind of God’s Spirit

To end the sermon, I gave out sails cut from paper in a similar shape to Te Rā. People were invited to draw or use stickers to depict something unique about this local church as God’s sail. And a skewer to hold their sail aloft. The sails could be taken home or placed in the offering.  By way of example, a sail I drew and took home, plus an unused one.

Key resources for this sermon were not just the Bible commentaries. For general information about Māori craft and weaving, I turned to Crafting Aotearoa: A Cultural History of Making in New Zealandand the Wider Moana Oceania and Te Puna Wairoa: The Distinguished Weavers of Te Kāhui Whiritoi.

To understand Te Rā and think about Māori Christian connections with weaving, I drew on Te Rā: The Māori Sail by Ariana Tikao and Mat Tait (2023) and Ka Tuituia Tātoa e Te Aho Tapu/The Sacred Thread that Weaves us Together by Council for Anglican Women’s Studie (2018).

As people shared about their sails, the connections made with the identity of the church were deep, rich and meaningful.