Saturday, August 13, 2016
film and mission: Missiological approaches to the “Silence” of religious change
I’m presenting today at International Association Mission Studies, Korea. My paper is titled “regard as valuable”: Missiological approaches to the “Silence” of religious change. With the historical novel, Silence: A Novel written by Shusako Endo (1923-1999), being made into a film (release date as yet unannounced), I want to explore the possibilities and pitfalls when conversion seems fruitless, which it does in the context of Japan in the 17th century.
In order to engage Silence as a film, I will use Lloyd Baugh, Imaging the Divine: Jesus and Christ-Figures in Film to provide a theoretical frame. I will then place Silence as film alongside a number of other movies that explore the fruitlessness of mission; including The Mission and God lives in the Himalayas.
I’m looking forward to bringing together my research in film and in mission. My conclusion is as follows:
The gift of Silence is that it allows us to see the face of Christ as death on a cross. To represent the fullness of Christ, both Christologically and missiologically, we need the “face of Christ” giving inspiration to artists at every stage of the Philippians arc. When Christ is the Victor, the “conversion-transformation” narrative is one of triumph. We do not ask art images of Christ the Victor or Jesus the baptised to express a complete Christology, expressing every stage of the Philippians arc. We let them stand as Christological snapshots. In Silence, we are offered an artistic gift, that of obedience to the point of death. This is a truthful missiology which voices Christ’s silence. Such is the Christological gift of Silence to missiology. It provides an essential snapshot, ensuring our accounts of conversion and transformation include not only narratives of triumph, but also narratives of solidarity with Christ’s silence.
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