Friday, February 07, 2014
writing in grief
I lost my Dad suddenly last August. Which has launched me on another, major, grief journey.
One of the impacts has been on my writing. Essentially, since Dad died, I’ve struggled to write. I have a complex job and that absorbs a lot of mental energy. It involves some deep work with people and that’s been intense and absorbing. Before Dad died, there was some drive to keep using what little mental space I had left for writing, some energy to get up early and steal a few hours in a cafe. But since Dad died, either work has got bigger, or people more intense. Or I’ve lost something.
I’m also aware that one way to deal with grief is to compartmentalise and remain in one’s head, rather than experience emotions. This has made me nervous (become a convenient excuse?) about getting back into writing, especially given some of the more academic type writing projects I was invested in.
I’ve done a few things (monthly film reviews and study leave). But that ability to grab a few hours here and there, at the start or end of a day, which can keep writing projects quietly ticking along – that has gone.
In late October, I became aware of a writing project (working title Farewelling Our Fathers). It was an attempt to connect mens’ studies with mens’ experiences. It is seeking to collect eulogies from about 30 different men – around 2,000 words each reflecting on farewelling their dads – with recent literature on how men of my generation (40 and up) were taught to relate to our fathers, and our fathers to us.
In other words, a pastoral theology, reflecting on masculinity and death. It sounded intriguing, a potentially rich mix of head, heart and culture. I wondered if it might help me process my grief, might let me attend to head and heart, might draw words from me, might ease me back into writing.
It’s been really, really difficult. Going back into the emotions, trying to find the words. It’s like stepping into uncertain terrain, not sure what emotions will emerge, needing to be in a space that allows those emotions to emerge in ways that don’t effect my work and colleagues.
Over the weekend, my daughter needed to be in town for a 2 and a half hour event. It opened up a space, one that was helpfully defined by time, one that was personal. I found a cafe and found the reserves to do a complete edit.
Off to the editor!
I’m sure it will come back for further work, but it was a milestone, the first major writing project since Dad died. I’m not sure it will make future writing any easier. But I’m glad the first major thing I’ve written since Dad died has been so costly, has been about him and has been creative, heartfelt, spiritual and a seeking for integration.
And I still miss my Dad. Daily.
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